Over the past few days, I’ve tooled about a bit more with Green Ronin Publishing’s Mutants & Masterminds (M&M), which has a robust character creation system that so far has never failed to emulate whatever character concept I’ve come up with. (Caveat: Some character concepts, however, become problematic operating within a specific power point budget. If I’m like the government and just pretend budgets don’t matter, then even the sky’s not a limit.)
For example, I created Major Challenger, a Power Level 10 hero, who is an interdimensional astronaut who explored subatomic universes until his diminution device malfunctioned, trapping him on Earth as a 30-foot tall giant. Via the remaining functions of the diminution device, he can shrink down to one-sixth his normal size. Major Challenger is a “street legal” PL 10 character built with the standard budget of 150 power points. If you’d like to take a gander at Major Challenger, click here.
M&M can also be used to create specific effects that model a movie hero’s special abilities. Who can forget that time when Batman used his hypnotic dance skills to get the drop on King Tut and his goons? Don’t you wish your hero could do the Batusi? Of course you do.
The Batusi Effect: Perception-Ranged, Concentration-Duration, Cumulative Affliction; Limited to Two Degrees with Instant Recovery. Cost:2 points per rank.
You perform a stunning series of improvised but fascinating dance moves. Those able to see you get a Dodge resistance check. If successful, they suffer no effects from your dance (although that also means they can’t see you). Targets who see your dance must make a Will resistance check against your effect DC. One degree of failure renders a target entranced by your performance. Two degrees of failure makes the target helpless. In subsequent turns, if you take a standard action to continue dancing, targets who can see you must make new resistance checks. Those who watch your dance long enough likely end up defenseless due to the cumulative effects of your sweet moves. Affected targets recover at the end of the turn you stop dancing (no resistance check required).
Some games I at least think I’d enjoy playing more than I’d enjoy GMing. One of these games is Green Ronin Publishing’s Mutants & Masterminds (M&M). It has all the makings of a great game: a relatively simple system, a unified dice mechanic, point-based character creation, and (if you’re into that kind of thing) an everything-and-the-kitchen-sink core setting that clearly respects the genre. I love M&M more in theory than in practice, however.
Hero creation is M&M is a bit laborious (although pales in comparison to Champions and GURPS Supers). If one plays with folks that are either a bit spotty on their basic math skills and/or think superhero games are about building the do-it-all but never-gets-hurt character, then M&M can be frustrating. The frustration appears with players who don’t respect (or know) the genre and/or the parameters of the GM’s campaign. I’ve run into the latter more than once.
Years and years ago with people whom I no longer game with, I tried running an urban, four-color hero game. The hero’s were expected to be heroic. I thought I’d made this clear, but that didn’t stop one player from showing up with a murderous speedster who acquired and maintained his powers by stealing crack cocaine from the drug dealers that he killed. Another player showed with a teen-angst loner that frequently insisted on being a team of one.
Ug.
M&M’s first edition was a bit wonky, and much of this wonkiness was fixed with the second edition. M&M’s third edition, however, is even better. It retains the vestiges of its d20 System roots, even going so far as to change the standard six ability scores (STR, INT, WIS, DEX, CON, and CHA) to eight ability scores (Strength, Agility, Fighting, Awareness, Stamina, Dexterity, Intellect, and Presence). Green Ronin also tips their hat to TSR’s iconic Marvel Super Heroes (MSH) with color-coded Damage Resistance Matrix that evokes nicely MSH’s Universal Table.
Since it’s been a while since I made up a M&M villain, here’s a new one inspired by Boris Karloff. I used the Crime Lord from the M&M Gamemaster’s Guide as the base for the Monster.
Francis Stein, also known as the Monster, claims to have been created by the Doctor Victor Von Frankenstein in Ingolstadt, Bavaria. Abused and neglected for years, Stein escaped his evil creator and lived as a fugitive either in the wilderness or on the outskirts of society. Over the decades, Stein accumulated a remarkable education and impressive skills. Stein leveraged his education and skills, along with his superhuman physical abilities, into a career as a mob enforcer, rising through the ranks by a combination of cunning, violence, and longevity. Today, Stein dominates a criminal empire involved in extortion, gambling, and smuggling.
Francis Nathan Stein aka The Monster Power Level 8
Last post, I talked a bit about the ad-hoc superhero game of which I’ve run one session with a second session scheduled for this coming Wednesday. One of the superhero games I have but have seldom played is TSR’s Marvel Super Heroes Adventure Game (MSHAG) published in 1998 with primary game design credit going to Mike Selinker, who based his work on the Saga rules largely engineered by William W. Connors. Unusually for TSR’s games, MSHAG doesn’t use dice for anything. The Fate Deck, consisting of 96 cards divided into five suits, governs character creation and action resolution in much the same way dice do in other games.
All in all, it’s an interesting system. It’s attractively illustrated and written in that “Hail, True Believers!” style that helped put Marvel Comics on the map more than half a century ago. The last time I GMed (or, to use in-game terminology, narrated) MSHAG, I made up a team of Mexican luchadores who used their sweet wrestling moves and superhuman powers to defeat a wicked plot to take control of the Southwestern U.S. by means of black-magically altered cabrito, the consumption of which reduced one’s resistance to external control. It was a hoot of a game, even if we all found the system a bit clumsy at times. I’m almost certain that this systemic clumsiness had more to do with our unfamiliarity with the rules than the rules themselves.
Like a licensed superhero games, the core assumption is very much that the players will run Marvel Comics heroes as their characters against Marvel Comics villains controlled by the GM. TSR’s Marvel games, however, have always included rules that let players create their own heroes. This is pretty much the way we always played TSR’s classic FASERIP Marvel Super Heroes, although comic book characters did make appearances, usually as villains or at least adversaries. For example, back in high school, one of my characters was the Gray Fox, a reformed super-mercenary with a bloody past, who went toe to toe against Captain America atop a skyscraper. The Gray Fox won the fight by managing to hurl Cap off the skyscraper. While Cap fell, the Gray Fox escaped.
Ah, good times.
Anyway, I’ve had the adjacent picture of the incomparable Vincent Price sitting in a Pics folder on my desktop for months. I figure it’s about time I did something with it, so here’s an MSHAG villain created using MSHAG’s character creation rules.
Step 1: Concept: I’ve got one.
Step 2: Draw Cards: I draw 10 cards from the Fate Deck. I discard the 1s, 2s, and 3s, and redraw (because I’m using the powerhouse option). I sort the cards by suit: 5 and 6 of Strength; 4, 6, and 8 of Intellect; 5, 6, 6, and 7 of Willpower; and the 10 of Doom. I have no Agility suit cards.
Step 3: Ability Scores. Ability scores are determined by assigning up to three cards to each of the four abilities. The lowest ability permitted is 2. The highest is 20. The sum of the cards gives the ability its score. I assign the 6 of Strength to Strength, the Doom card to Agility, the 8 of Intellect to Intellect, and the two 6s of Willpower to Willpower. The number of cards assigned to ability (excluding Doom cards) that match that ability’s suit determine skill codes. Doom cards never grant skills, so my villain has no Agility skills.
Step 4: Skills. My villain gets two Strength skills (Climbing and Martial Arts); two Intellect skills (Law and Occult), and three Willpower skills (Intimidation, Manipulation, and Mesmerism).
Step 5: Hand and Edge Size. Since the game uses cards, these stats relate to how many cards a villain gets (Hand Size) and how easy it is to get more than one card into play at a time (Edge). Hand Size also determines how much damage a villain can take. I’ve got four cards left, one of them the 7 of Willpower. I use it to raise my villain’s Hand Size and Edge by +1 each.
Step 6-7: Powers and Stunts. The remaining cards are used for powers and calling (see below). Powers are divided by suit like ability scores are. I put the Willpower card into Ability Boost and the two Intellect cards into Alchemy. Since one Willpower card has been put into a Willpower power, my villain gets one stunt. Likewise, with two Intellect cards in an Intellect power, the villain gets two more stunts. Each stunt is specific to its power.
Steps 8-9: Limits and Hindrances. I skip these, but if I hadn’t, I might have drawn cards that would boost my villain’s abilities.
Step 10: Calling. I choose the Greed calling, discard the 6 of Strength, and draw a new card, getting a 2 of Intellect with the Soldier calling. This does not match my villain’s calling, so I’m done. If it had matched, the drawn card would get assigned to further raise one of my villain’s qualities.
Calling: Greed Personality: Cunning, revels in causing fear, boastful of his abilities, considers himself a lady’s man
History: Vincent Wilcox has always been both brilliant and unpleasant. His brilliance made him a successful lawyer, but his unpleasantness kept him isolated and friendless. He turned to the study of the occult and hypnosis, and these obsessive pursuits resulted him using his mesmerism to influence witnesses and judges. When the truth of his activities came out, Wilcox faced serious criminal and civil penalties. Disbarred with little to look forward to but a long prison sentence, Wilcox fled the U.S. for former Soviet Bloc countries, lured there by his occult studies into alchemy giving him hope of finding the fabled philosopher’s stone. Wilcox did find the philosopher’s stone, and he used an ancient ritual to absorb its properties, granting him remarkable powers, but not the immortality that he most craved. Wilcox adopted the pseudonym of the Devil’s Advocate and returned to the U.S., taking up a life of crime to finance his occult studies.
In Marvel comic book terms (circa 1998), the Devil’s Advocate has Strength equal to Cyclops or Black Widow, Agility equal to Captain America or Iron Fist, Intellect equal to Green Goblin or Arcade, and Willpower equal to Captain America or Professor X. With his Ability Boost power, his Strength rises to Beast or Tigra levels and his Agility to better than Spider-Man. The Devil’s Advocate is no slouch when it comes to a physical confrontation.
Well, it’s been too long since I last posted. I’ve been Doing Other Things, a lot of it related to my day job, but also a lot of it just not having anything to do with this site. (Ironically, despite the dearth of Spes Magna activity for weeks and weeks, my on-line sales are up.) So, what have I been doing that’s gaming-related?
The Kid Avenger (via Hero Forge)
I’ve been gaming, mostly via virtual meetings, but some face-to-face as well. Every other Saturday, Terry runs a post-apoc Savage Worlds game set in and around Hot Springs, Arkansas. We’ve got two players: me and Eric. I’m running the Kid Avenger, an athletic teenager who has learned just about everything he knows about the pre-apoc U.S. from reading his grandfather’s collection of comic books. He has a shield, recites the Avenger’s Oath, and has become very concerned with doing process because he’s heard “do process” was an important part of the Bill of Rights. Eric runs Slate, a pre-apoc android doing “his” best to understand humans and maintain a facade of normalcy. This two-person Hot Springs Avengers team has been aided a bit when my wife Katrina and daughter Adrienne sat in a couple of sessions, but they’re not regular players. So far, most of the action involved defeating a degenerate cannibal cult in Little Rock and establishing diplomatic relations with a society of intelligent gorillas.
Every other Sunday, we play 5E D&D with everyone except my son Christopher joining in remotely. Christopher sits across the table from me. I’m the DM for the Sunday game. It’ll switch off to another DM after a few more sessions. We’ve got a homebrew campaign slowly emerging from vague hints to concrete details as the heroes travel around, trying to do good. The group I’m running has five players ranging in ages from about 12 to Much Older. I had been running the players through AD&D’s Slave Pits of the Under City, but the heroes met their match, and each of them died, butchered by orcs.
We picked back up last Sunday. Three players opted to have their characters some survive. The other two players made up new characters. All of the characters woke up covered in sacrificial sigils related to Wastri, Lloth, and Blibdoolpoolp. Along with them were several captured townsfolk. Everyone was naked and without equipment of any kind. They were also stranded on a small rocky island, which Morgan the Warlock figured was somewhere in the large central lake of the campaign’s setting. Then the froghemoth attacked.
Most of the NPCs died horribly. Christopher’s druid took some serious damage and only escaped the froghemoth’s clutches by wild-shaping into a crocodile. The survivors escaped down a staircase hidden at the base of a strange altar, and they’re now encamped at the edge of a huge cavern system some distance beneath the lake’s bed. They’ve also escaped into another AD&D module, which I’ll not mention at this moment, but making it the fourth AD&D module used for our 5E D&D Sunday game. (Terry ran a one-shot one Sunday that might have been AD&D-related originally, but I couldn’t attend that session because I was down with an insomnia-induced migraine.)
I’ve also GMed remotely one session of a superhero game using a homebrewed system that started heavily based on TSR’s original Marvel Super Heroes but which has now mutated to include an action resolution system glommed from the third edition of the DC Heroes Roleplaying Game published by Mayfair Games in 1993. I’m also pulling in at least one element from TSR’s later Marvel Super Heroes Adventure Game, which is the one that used the deck of cards for action resolution and hero creation.
The heroes the first session were Christopher’s Owlman and Terry’s Starlight, who teamed up to destroy Chemo after that DC Comics monster-villain showed up during a St. Patrick’s Day celebration in Houston’s Hermann Park. Our next session is scheduled for this coming Wednesday evening, during which Owlman and Starlight will likely be joined by the mysterious Presence (played by Eric).
What else? Well, there’s Sunnesci, a semi-Stone-Age campaign setting that is still system neutral. Check out the adjacent pictures, both of which embiggen when clicked.
Sunnesci sits on what might be a peninsula between an ocean and a gulf. It is populated by humans and humanoids races based on alligators, flamingos, and nutria. I’m going a sort of scrapbook route, drawing and coloring the maps into a graph-paper composition book and cut-and-pasting word-processed text into the book. It’s not exactly coming along like gangbusters, but I find the activity strangely relaxing. I’m not sure what I’m going to do with Sunnesci. It might end up getting used for a game. It might just remain a side project. Maybe both? If I ever get it done, perhaps I can raffle it off, and some lucky person can end up owning the only copy of Sunnesci in the world.
Interwoven in all of this has been the end of a stressful third quarter and start of the final quarter of the 2020-2021 school year. My 7th and 8th grade boys are reading their final novels, The Scarlet Pimpernel and The Adventures of Tom Sawyer, respectively. I’m looking forward to the end of the school year. We’ve been on-campus almost all of the school year, working within the parameters of some sensible COVID-based restrictions, but even sensible restrictions begin to wear on the nerves after several months. The administration has done an excellent job, and the students have handled the weirdness of the year like troopers, but everyone looks forward to a return to normalcy.
It’s been quite some time since I posted anything about The Four Color Hack. The last time I did so was may back in May 2019 when I posted a villain glommed from Ms. Marvel.
Therefore….
The Doorman Level 4 Metahuman
Quote: “Enjoy your stay.” Real Name: Jacob Endo Identity: Secret Place of Birth: Seattle, Washington Height: 5 ft. 6 in. Weight: 145 lb. Eyes: Brown Hair: Black
Hit Points: 23 (4 Vigor) Base Damage: 2d4 Powers: Acrobatics d8, Enhanced Senses d10, Karate d8, Teleportal d12
Background: Jacob Endo works serves the Doorman for the mysterious Metaplex, a interdimensional five-star resort hotel that caters to metahuman guests. The origin of Jacob’s powers and how he came to work for the Manager are topics of much speculation but few definitive answers. Jacob remains politely circumspect about his past. In the performance of his duties, Jacob is discreet, professional, and friendly. He works closely with the Metaplex’s staff, especially the Concierge and the Desk Clerk. With those two employees, Jacob is the Metaplex’s first line of defense, helping to ensure that guests have a peaceful stay.
Powers: The Doorman’s main power is his ability to create teleportals out of any sort of access point (such as a door or window) between the Metaplex and its exterior as well as within the Metaplex. By means of this power, the Doorman teleports himself, guests, et cetera. The maximum range of his teleportation is about 100 yards, sufficient to grant him access to any location within the Metaplex. People and material teleported must move through the teleportal in order to be instantly transported to the location chosen by the Doorman. He can also open a teleportal that moves through interdimensional space, thus exiting the Metaplex entirely. The Doorman can also seal the Metaplex’s interdimensional entrances, whether to affect a total lockdown or just to exclude a troublesome guest.
While he is loathe to do so, the Doorman is not incapable of using physical force to emphasize the importance of following the Metaplex’s rules. He is a skilled acrobat and martial artist. The Doorman’s senses of hearing and sight are superhumanly acute.
